Found Presence 2017
Minari Screenplay Book
Minari Screenplay Book. 8″ x 11″ 320 pages. Designed in collaboration with Actual Source. Commissioned by A24 Films. 2022
Minari Screenplay Book
Minari Screenplay Book. 8″ x 11″ 320 pages. Designed in collaboration with Actual Source. Commissioned by A24 Films. 2022
Minari Screenplay Book
Minari Screenplay Book. 8″ x 11″ 320 pages. Designed in collaboration with Actual Source. Commissioned by A24 Films. 2022
Minari Screenplay Book
Minari Screenplay Book. 8″ x 11″ 320 pages. Designed in collaboration with Actual Source. Commissioned by A24 Films. 2022
Minari Screenplay Book
Minari Screenplay Book. 8″ x 11″ 320 pages. Designed in collaboration with Actual Source. Commissioned by A24 Films. 2022
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Image RIP: After Printing, Work & Planet Earth
Image RIP: After Printing, Work & Planet Earth. 170 x 230 mm, 304 pages. Designed in collaboration with Geoff Han, Immanuel Yang, Ming Bai. 2023
Image RIP: After Printing, Work & Planet Earth
Image RIP: After Printing, Work & Planet Earth. 170 x 230 mm, 304 pages. Designed in collaboration with Geoff Han, Immanuel Yang, Ming Bai. 2023
Image RIP: After Printing, Work & Planet Earth
Image RIP: After Printing, Work & Planet Earth. 170 x 230 mm, 304 pages. Designed in collaboration with Geoff Han, Immanuel Yang, Ming Bai. 2023
Image RIP: After Printing, Work & Planet Earth
Image RIP: After Printing, Work & Planet Earth. 170 x 230 mm, 304 pages. Designed in collaboration with Geoff Han, Immanuel Yang, Ming Bai. 2023
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negotiating ungers 2. the oberhausen institute and the materiality of the social
negotiating ungers 2. the oberhausen institute and the materiality of the social. 120 x 170 mm, 236 pages. Designed in collaboration with Geoff Han.
Commissioned by Common Room. 2023
negotiating ungers 2. the oberhausen institute and the materiality of the social
negotiating ungers 2. the oberhausen institute and the materiality of the social. 120 x 170 mm, 236 pages. Designed in collaboration with Geoff Han.
Commissioned by Common Room. 2023
negotiating ungers 2. the oberhausen institute and the materiality of the social
negotiating ungers 2. the oberhausen institute and the materiality of the social. 120 x 170 mm, 236 pages. Designed in collaboration with Geoff Han.
Commissioned by Common Room. 2023
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Farshad Farzankia’s solo exhibition Ten Thousand Eyes
Exhibition Identity for Farshad Farzankia’s Solo Show < Ten Thousand Eyes>
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
Farshad Farzankia’s solo exhibition Ten Thousand Eyes
Exhibition Identity for Farshad Farzankia’s Solo Show < Ten Thousand Eyes>
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
Farshad Farzankia’s solo exhibition Ten Thousand Eyes
Exhibition Identity for Farshad Farzankia’s Solo Show < Ten Thousand Eyes>
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
Farshad Farzankia’s solo exhibition Ten Thousand Eyes
Exhibition Identity for Farshad Farzankia’s Solo Show < Ten Thousand Eyes>
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
Farshad Farzankia’s solo exhibition Ten Thousand Eyes
Exhibition Identity for Farshad Farzankia’s Solo Show < Ten Thousand Eyes>
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
Farshad Farzankia’s solo exhibition Ten Thousand Eyes
Exhibition Identity for Farshad Farzankia’s Solo Show < Ten Thousand Eyes>
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
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All at Once. Yale Graphic Design MFA Thesis Show
Exhibition concept/identity for Yale Graphic design MFA thesis show ALL AT ONCE.
In collaboration with Milo Bonacci, Furqan Jawed, Mengyi Qian, Bianca Ibarlucea, and Jun Jung. 2021
All at Once. Yale Graphic Design MFA Thesis Show
I developed a program using Python and the OpenCV library for the exhibition, enabling simultaneous multi-color chroma keying. 2021
All at Once. Yale Graphic Design MFA Thesis Show
I developed a program using Python and the OpenCV library for the exhibition, enabling simultaneous multi-color chroma keying. 2021
All at Once. Yale Graphic Design MFA Thesis Show
Exhibition concept/identity for Yale Graphic design MFA thesis show ALL AT ONCE.
In collaboration with Milo Bonacci, Furqan Jawed, Mengyi Qian, Bianca Ibarlucea, and Jun Jung. 2021
All at Once. Yale Graphic Design MFA Thesis Show
Exhibition concept/identity for Yale Graphic design MFA thesis show ALL AT ONCE.
In collaboration with Milo Bonacci, Furqan Jawed, Mengyi Qian, Bianca Ibarlucea, and Jun Jung. 2021
All at Once. Yale Graphic Design MFA Thesis Show
Exhibition concept/identity for Yale Graphic design MFA thesis show ALL AT ONCE.
In collaboration with Milo Bonacci, Furqan Jawed, Mengyi Qian, Bianca Ibarlucea, and Jun Jung. 2021
All at Once. Yale Graphic Design MFA Thesis Show
Found moments from the exhibition. 2021
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Nike Future Movement Campaign identity design.
Nike Future Movement Campaign. In Collaboration with New Studio. 2022
Nike Future Movement Campaign identity design.
Nike Future Movement Campaign. In Collaboration with New Studio. 2022
Nike Future Movement Campaign identity design.
Developed a custom Python program for advanced image propagation. 2022
Nike Future Movement Campaign identity design.
Final Campaign design in use. 2022
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OPEN YY Rebranding
Open YY rebranding (formerly 'TheOpen Product'.) In Collaboration with Mianwei Wang. 2023
OPEN YY Rebranding
Open YY rebranding (formerly 'TheOpen Product'.) In Collaboration with Mianwei Wang. 2023
OPEN YY Rebranding
New ‘Open YY’ logo in use, outfit featured below are designed by in-house designers. 2023
OPEN YY Rebranding
New ‘Open YY’ logo in use. 2023
OPEN YY Rebranding
New ‘Open YY’ logo in use. 2023
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Verizon One Digital Design System. 2023
Design System
Verizon One Digital Design System
Verizon One Digital Design System. One digital design system adapts seamlessly across various screen sizes (smartphone to 40” touch screen), optimizing customer interactions for an effortless and efficient in-store experience.
Verizon One Digital Design System
One Digital design system delivers consistent design elements and interactions, optimizing the customer experience across varying screen sizes.
Verizon One Digital Design System
One Digital design system comprises two key parts: an “Expansion Pack” of readily available components for designers and developers, and a comprehensive online guideline featuring detailed information and use cases.
Verizon One Digital Design System
One Digital design system comprises two key parts: an “Expansion Pack” of readily available components for designers and developers, and a comprehensive online guideline featuring detailed information and use cases.
Verizon One Digital Design System
One Digital design system delivers consistent design elements and interactions, optimizing the customer experience across varying screen sizes.
Verizon One Digital Design System
Sample screens designed by using One Digital design system components. From smartphones to large touchscreens, the system delivers consistent design elements and interactions, optimizing the customer experience across varying screen sizes.
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Verizon myPlan Discovery Tool
Verizon myPlan Discovery Tool 2023
Product Design
Verizon myPlan Discovery Tool
Verizon myPlan Discovery Tool 2023
Verizon myPlan Discovery Tool
Verizon myPlan Discovery Tool 2023
Verizon Complete Home Interactive Tool
Verizon Complete Home Interactive Tool 2023
Verizon Complete Home Interactive Tool
Verizon Complete Home Interactive Tool 2023
Verizon myPlan Discovery Tool
Verizon myPlan Discovery Tool 2023
Product Design
Verizon Business SMB Persona Experience 2023
Product Design
Verizon Device Showcase 3.0
Verizon Device Showcase 3.0 2022
Product Design
Verizon Promo Tool
Verizon Promo Tool 2023
Product Design
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Verizon Showcase Platform Art Direction
Verizon Showcase Platform Art Direction. 2022-ongoing
Art Direction
Verizon Brand Accessories Showcase
Verizon Brand Accessories Showcase 2023
Magsafe Accessories Showcase
Magsafe Accessories Showcase 2023
Samsung Galaxy Z Fold4 Showcase
Samsung Galaxy Z Fold4 Showcase 2022
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Disquietude. architecture and energy in portugal
Disquietude. architecture and energy in portugal. Designed in collaboration with Geoff Han, Immanuel Yang.2023
Disquietude. architecture and energy in portugal
Disquietude. architecture and energy in portugal. Designed in collaboration with Geoff Han, Immanuel Yang.2023
Disquietude. architecture and energy in portugal
Disquietude. architecture and energy in portugal. Designed in collaboration with Geoff Han, Immanuel Yang.2023
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I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given.
I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given. 279.4 x 210 mm, 11″ x 8.27″ 256 pages, 2021. Offset printing, printed entirely with a translucent, yellow-tinted varnish. 2021
I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given.
I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given. 279.4 x 210 mm, 11″ x 8.27″ 256 pages, 2021. Offset printing, printed entirely with a translucent, yellow-tinted varnish. 2021
I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given.
I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given. 279.4 x 210 mm, 11″ x 8.27″ 256 pages, 2021. Offset printing, printed entirely with a translucent, yellow-tinted varnish. 2021
I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given.
I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given. 279.4 x 210 mm, 11″ x 8.27″ 256 pages, 2021. Offset printing, printed entirely with a translucent, yellow-tinted varnish. 2021
I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given. 279.4 x 210 mm, 11″ x 8.27″ 256 pages, 2021. Offset printing, printed entirely with a translucent, yellow-tinted varnish. 2021
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Found Presence, A site-specific, temporal mark made with reflective spray,
Found Presence, A site-specific, temporal mark made with reflective spray, incorporating data collected from Helsinki, Finland.2017
Found Presence, A site-specific, temporal mark made with reflective spray,
Found Presence, A site-specific, temporal mark made with reflective spray, incorporating data collected from Helsinki, Finland.2017
Found Presence, A site-specific, temporal mark made with reflective spray,
Found Presence, A site-specific, temporal mark made with reflective spray, incorporating data collected from Helsinki, Finland.2017
Found Presence, A site-specific, temporal mark made with reflective spray,
Found Presence, A site-specific, temporal mark made with reflective spray, incorporating data collected from Helsinki, Finland.2017
Found Presence, A site-specific, temporal mark made with reflective spray,
Found Presence, A site-specific, temporal mark made with reflective spray, incorporating data collected from Helsinki, Finland.2017
Found Presence, A site-specific, temporal mark made with reflective spray,
Found Presence, A site-specific, temporal mark made with reflective spray, incorporating data collected from Helsinki, Finland.2017
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Conference identity for Queering Space
Queer(ing) Space Exhibition Identity 2023
Conference identity for Queering Space
Designed exhibition identity and custom typeface that encapsulates the themes of ‘Fitting in’ and ‘Passing,’ aligning with the exhibition’s narrative of space transformation. 2023
Conference identity for Queering Space
Custom typeface that encapsulates the themes of ‘Fitting in’ and ‘Passing,’ aligning with the exhibition’s narrative of space transformation. 2023
Conference identity for Queering Space
Custom typeface that encapsulates the themes of ‘Fitting in’ and ‘Passing,’ aligning with the exhibition’s narrative of space transformation. 2023
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To Hear No Echo, Exhibition identity designed for the Yale School of Art M.F.A. Sculpture Thesis show. In collaboration with Mengqi Qian.
To Hear No Echo. Exhibition identity designed for the Yale School of Art M.F.A. Sculpture Thesis show. In collaboration with Mengqi Qian. 2021
To Hear No Echo, Exhibition identity designed for the Yale School of Art M.F.A. Sculpture Thesis show. In collaboration with Mengqi Qian.
To Hear No Echo. Exhibition identity designed for the Yale School of Art M.F.A. Sculpture Thesis show. In collaboration with Mengqi Qian. 2021
Custom typeface designed for the exhibition. In collaboration with Mengqi Qian.
Custom typeface designed for the exhibition. In collaboration with Mengqi Qian. 2021
Custom typeface designed for the exhibition. In collaboration with Mengqi Qian.
Custom typeface designed for the exhibition. In collaboration with Mengqi Qian. 2021
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Conference identity for Queering Space
Branding for Detroit-based sculptor Jaeyeon Park. 2020
Project 1 Image 1
Poster for Jaeyeon Park's Open Studio 2020
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Poster for the film ‘Awoke,’
Poster for the film ‘Awoke,’ directed by Jaeik Jung and Taesoo Seo. The poster was featured at the 22nd Jeonju International Film Festival. 2021
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Identity designed for an artist collective 'Friend of a friend'
Visual identity designed for an artist collective ‘Friend of a Friend.’ In Collaboration with Mianwei Wang. Korean Typeface used in the identity is designed by Harin Jung. 2023
Identity designed for an artist collective 'Friend of a friend'
Visual identity designed for an artist collective ‘Friend of a Friend.’ In Collaboration with Mianwei Wang. Korean Typeface used in the identity is designed by Harin Jung. 2023
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Useful Object
Useful Objects 2021
Useful Object
Useful Objects revisits the historical perception of Immigrants through a framing of “Usefulness” by presenting the history of Japanese Barberry-dispossessed of its cultural use- in an effort to reclaim its original ornamental value and purpose.2021
Useful Object
Useful Objects revisits the historical perception of Immigrants through a framing of “Usefulness” by presenting the history of Japanese Barberry-dispossessed of its cultural use- in an effort to reclaim its original ornamental value and purpose.2021
Useful Object
Useful Objects revisits the historical perception of Immigrants through a framing of “Usefulness” by presenting the history of Japanese Barberry-dispossessed of its cultural use- in an effort to reclaim its original ornamental value and purpose.2021
Useful Object
Useful Objects revisits the historical perception of Immigrants through a framing of “Usefulness” by presenting the history of Japanese Barberry-dispossessed of its cultural use- in an effort to reclaim its original ornamental value and purpose.2021
Useful Object
Useful Objects revisits the historical perception of Immigrants through a framing of “Usefulness” by presenting the history of Japanese Barberry-dispossessed of its cultural use- in an effort to reclaim its original ornamental value and purpose.2021
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Spring Forward Fall Back
Spring Forward, Fall Back. In Collaboration with Nick Massarelli and Mianwei Wang.2020
Spring Forward Fall Back
Spring Forward, Fall Back. In Collaboration with Nick Massarelli and Mianwei Wang.2020
Spring Forward Fall Back
Spring Forward, Fall Back. In Collaboration with Nick Massarelli and Mianwei Wang.2020
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I hope you find me well, 200501.smi
I hope you find me well, 200501.smi2020
I hope you find me well, 200501.smi
I hope you find me well, 200501.smi2020
I hope you find me well, 200501.smi
I hope you find me well, 200501.smi2020
I hope you find me well, 200501.smi2020
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Yale School of Art Photograpgy department spring 2021 visiting lectures
Yale School of Art Photograpgy department spring 2021 visiting lectures 2021
Yale School of Art Photograpgy department spring 2021 visiting lectures
Yale School of Art Photograpgy department spring 2021 visiting lectures 2021
Yale School of Art Photograpgy department spring 2021 visiting lectures
Yale School of Art Photograpgy department spring 2021 visiting lectures 2021
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Forgetfulness
Forgetfulness 2018
Forgetfulness
Forgetfulness 2018
Forgetfulness 2018
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Ethos, Revival typeface based on the original drawings of Old Style Antique No. 7.
Ethos, Revival typeface based on the original drawings of Old Style Antique No. 7. 2020
Ethos, Revival typeface based on the original drawings of Old Style Antique No. 7.
Ethos, Revival typeface based on the original drawings of Old Style Antique No. 7. 2020
Ethos, Revival typeface based on the original drawings of Old Style Antique No. 7.
Ethos in use. Featured publication in the photo is Paprika! Volume 6, Issue 5 < Luck, Fate, or Happy Accident? > designed with Mengjie Liu 2020
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While you are still high on popper,
While You Are Still High On Poppers: An Anthology on East Asian Masculinity. 115 × 185 mm, 283pp, Laser Print. 2020
While you are still high on popper,
While You Are Still High On Poppers: An Anthology on East Asian Masculinity. 115 × 185 mm, 283pp, Laser Print. 2020
While you are still high on popper,
While You Are Still High On Poppers: An Anthology on East Asian Masculinity. 115 × 185 mm, 283pp, Laser Print. 2020
While you are still high on popper,
While You Are Still High On Poppers: An Anthology on East Asian Masculinity. 115 × 185 mm, 283pp, Laser Print. 2020
While you are still high on popper,
While You Are Still High On Poppers: An Anthology on East Asian Masculinity. 115 × 185 mm, 283pp, Laser Print. 2020
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Juicy: A Custom Typeface Made for the Anthology 'While You Are Still High on Poppers'
Juicy: A Custom Typeface Made for the Anthology 'While You Are Still High on Poppers' 2020
Juicy: A Custom Typeface Made for the Anthology 'While You Are Still High on Poppers'
Juicy: A Custom Typeface Made for the Anthology 'While You Are Still High on Poppers' 2020
Juicy: A Custom Typeface Made for the Anthology 'While You Are Still High on Poppers'
Juicy: A Custom Typeface Made for the Anthology 'While You Are Still High on Poppers' 2020
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Something Yellow Something Smooth
Something Yellow, Something Smooth 2019
Something Yellow Something Smooth
Something Yellow, Something Smooth 2019
Something Yellow Something Smooth
Something Yellow, Something Smooth 2019
Something Yellow Something Smooth
Something Yellow, Something Smooth 2019
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Note on appropriation, Kinross, modern typography(1992,2004,2009,2019)
Learning Inches 2018
Learning Inches, Single channel video, 20 Seconds Excerpt from 3 Minutes long video. 2918
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Poster for a talk by Elmgreen and Dragset
Poster for a talk by Elmgreen and Dragset 2020
Poster for a talk by Elmgreen and Dragset
The graphic motif of the poster was inspired by a PrEP bottle, reflecting my experience of taking PrEP medication for over a year at Yale. 2020
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Poster designed for graphic design reading club.
Poster designed for graphic design reading club. 2020
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(My Contribution) For a Great America
For a Great America 2018
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Kimmy, Revival typeface based on the original drawings of Double Pica Sans-serif Itakic.
Kimmy, Revival typeface based on the original drawings of Double Pica Sans-serif Itakic. 2020
Kimmy, Revival typeface based on the original drawings of Double Pica Sans-serif Itakic.
Kimmy, Revival typeface based on the original drawings of Double Pica Sans-serif Itakic. 2020
Kimmy, Revival typeface based on the original drawings of Double Pica Sans-serif Itakic.
Kimmy in use. 2020
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Note on appropriation, Kinross, modern typography(1992,2004,2009,2019)
Note on appropriation, < Kinross, modern typography(1992, 2004, 2009, 2019) > 2019
Note on appropriation, Kinross, modern typography(1992,2004,2009,2019)
Note on appropriation, < Kinross, modern typography(1992, 2004, 2009, 2019) > 2019
Note on appropriation, Kinross, modern typography(1992,2004,2009,2019)
Note on appropriation, < Kinross, modern typography(1992, 2004, 2009, 2019) > 2019
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Very Flexible Identity
Very Flexible Identity 2019
Very Flexible Identity
Very Flexible Identity 2019
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Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.
Gardening is hard work, A week long performance 2019
Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.
Gardening is hard work, A week long performance 2019
Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.
Gardening is hard work, A week long performance 2019
Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.
Gardening is hard work, A week long performance 2019
Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.
Gardening is hard work, A week long performance 2019
Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.
Gardening is hard work, A week long performance 2019
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Screensaver
Flag designed for screensavers.club 2019
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Drea Type specimen Poster
Type specimen poster designed for Dreja. 2019
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Yo! Enriching Emotional Quality of Single-Button Messengers through Kinetic Typography
Kim, Minhwan, Kyungah Choi, and Hyeon-Jeong Suk. "Yo! Enriching Emotional Quality of Single-Button Messengers through Kinetic Typography." Proceedings of the 2016 ACM Conference on Designing Interactive Systems. 2016. Read the full paper here 2016
Yo! Enriching Emotional Quality of Single-Button Messengers through Kinetic Typography
Kim, Minhwan, Kyungah Choi, and Hyeon-Jeong Suk. "Yo! Enriching Emotional Quality of Single-Button Messengers through Kinetic Typography." Proceedings of the 2016 ACM Conference on Designing Interactive Systems. 2016. Read the full paper here 2016
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HapThimble: A Wearable Haptic Device towards Usable Virtual Touch Screen
Kim, Hwan, Minhwan Kim, and Woohun Lee. "Hapthimble: A wearable haptic device towards usable virtual touch screen." Proceedings of the 2016 CHI Read the full paper here 2016
HapThimble: A Wearable Haptic Device towards Usable Virtual Touch Screen
Kim, Hwan, Minhwan Kim, and Woohun Lee. "Hapthimble: A wearable haptic device towards usable virtual touch screen." Proceedings of the 2016 CHI Read the full paper here 2016
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